FORWARD BASE B

"Pay my troops no mind; they're just on a fact-finding mission."

Tag Archives: paranoia

Toward A Post-Western Aesthetic

At heart, the problem with Western Civilization is that it falls into the trap of the peacock’s tail striving for constant growth with flashy results but little thought of basic utility, sustainability, or resilience in the face of sudden shocks.

So great is the focus on competing for dominance now that no one has the time to think centuries ahead.

The truth is Western civilization and its philosophy was utterly discredited by the 20th century with its World Wars, Communist mega-states that killed off tens of millions, disasters like the Great Depression and Spanish Flu that the destruction and despair made possible.

Let’s face it, no one really believes in their hearts anymore that the future is good or meaningful and there’s no going back to the way it was.  The mood of the collective subconscious has been pre-apocalyptic since around the year 2000 and now among the most dominant symbols in the modern imagination are zombies that represent social alienation and atomization and evil clowns that represent mass sociopathy and chaos.

Symbol of a society where no one knows their neighbor and has to compete against everyone in a dehumanized rat race. Zombies originally a metaphor among Africans for how slavery took away one’s previous identity.

Symbol of a society where you have to adopt dark triad traits to survive. And our secret dissatisfaction with such a social order. Secretly many of us would just like to watch it all burn but can’t admit it even to ourselves.

The evolution of the West has produced impressive deer antlers but has created a society that is top-heavy and fragile.
The cost spiral started to get out of control with the rise of professional armies and the end of the feudal system until now it costs a trillion dollars to design a new weapon system, let alone manufacture, maintain, or deploy it and nearly a trillion every year to pay for old people and their medical care.  Soon, even all the wealth in the world can’t pay the basic bills and eventually even ever-growing loans can’t fill all the gaps.

Western civilization, with its stock markets, its winner-take-all economic systems and social status markets worships the growth pattern of short-lived weeds that choke the ground in a hurry before winter wipes them all away.  

I would rather worship the growth pattern of lichens that creep slowly, meticulously reinforcing each new growth area against hardship.
I would envision an ideal future civilization as being minimalistic, practical, and durable in its applications of technologies.
 
Extreme disparity in cost is why a single division worth of guerillas can challenge all the world’s great powers in the Middle East, why a guy with an ak-47 riding on a donkey beats a cruise missile or a drone, why a handful of men with boxcutters can shift the course of a nuclear superpower for decades, why an illegal immigrant Mexican roofer can have 3 kids while a salary striver that makes 70k a year can’t even afford 1 kid.
In future warfare, high technology will be limited to targets of appropriate value and low value forces will try to exert stategic pressure that forces cost-inefficient responses.

Much of the vanity of West is its stubborn insistence dating back to Christianity and reinforced by the Enlightenment that man inhabits a different universe than the rest of nature.  In truth the same laws that govern planets, rocks, animals, and bacteria bind humans just the same.

To set the tone for a society that works with the nature of the universe rather than try to defy it, we must begin to imagine what a Post-Western society might look and feel like.
In my next post I will begin to explore a possible aesthetic for such an order, according to my own sensibilities.  

My aesthetic will be austere, minimal, defensive, yet embrace a sort of stark beauty in contrast to a modern civilization of neon-bright advertisements that overload the eyes as high fructose corn syrup overwhelms the palate.

But it also won’t echo the old West cathedrals and row-houses with their straight lines and rigid rectangles, however pretty or pleasing they may be.
My aesthetic will try to appear more fluid, representing a lack of boundaries between man and nature, between intellect and the flesh.  For it’s precisely such dichotomies that gave rise to the West’s most debilitating neuroses.

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